Just Ancient Loops

Year
2018
Instrumentation
Solo cello with 19 pre-recorded cellos; film by Bill Morrison
Commissioned by
The MELA Foundation
Category
Chamber / Orchestral, Installation / Multimedia, Interdisciplinary

In Just Ancient Loops, filmmaker Bill Morrison employs high resolution scans of ancient nitrate footage, as well as newly created CGI renderings, to depict different views of Heaven. With an original score by Michael Harrison, performed by cellist extraordinaire Maya Beiser.

The work has been presented at over 40 live performances and international film festivals, including Eye Filmmuseum (Amsterdam), M.I.T.'s Center for Arts, Science and Technology, Big Ears Festival (Knoxville), The Louvre Museum (Paris), BAM Next Wave Festival (4 performances), Ojai Music Festival, Museum of Modern Art (New York), Stuttgart Ballet, Strings of Autumn International Music Festival (Prague), Sundance Film Festival, AFI Fest (film premiere), and Bang on a Can Marathon (world premiere).

Notable Performances

  • Eye Filmmuseum Amsterdam, The Netherlands
    September 2018
  • The Louvre Museum Paris, France
    November 2015
  • BAM Next Wave Festival Brooklyn, NY
    October 2015 4 performances
  • Sundance Film Festival Park City, UT
    January 2013

Photos

Maya Beiser performs Just Ancient Loops — Ojai Festival
Maya Beiser performs Just Ancient Loops — Ojai Festival
With Maya Beiser and Bill Morrison — premiere of Just Ancient Loops
With Maya Beiser and Bill Morrison — premiere of Just Ancient Loops

“Just Ancient Loops, with its evocative drone and pizzicato opening, unfolds like a journey. The music, with its blend of East and West, soars in interlocking swirls of color, rests in a central chorale and builds steam to an ecstatic conclusion, sounding as if it has always been here.”

— Tom Huizenga , NPR, Top Classical Albums of 2012
More Press

“…an exalting, almost breathless new plane… Michael Harrison's Just Ancient Loops lifted the evening to an exalting, almost breathless new plane. The 25-minute work (built on just intonation, ancient modes and electronic loops) opens innocuously, with buoyant riffs over a quiet drone, and you think you're in for a travelogue. But its power builds with unstoppable force, deepening and expanding with irresistible energy, and by the climax Beiser was filling the hall with a vast ecstatic ocean of sound.”

— Stephen Brookes , The Washington Post

“If there really is a music of the spheres, the sound of a fundamental harmony in the universe, it has to be Just Ancient Loops… propels viewers through time and space, landing them in the present, elated…”

— Kevin Berger , Nautilus

“The Bang on a Can Marathon is always good for a spectacle or two. The day's glitziest work was Michael Harrison's Just Ancient Loops, which cellist Maya Beiser performed along with some 20 electronic versions of herself and accompanying video work by Bill Morrison…”

— Richard Gehr , The Village Voice

“Michael Harrison's Just Ancient Loops, an appealing mix of live and recorded cello lines, raga-inspired drones and Minimalist rhythms performed by Maya Beiser, was enhanced by Bill Morrison's film, recorded on archival and decaying celluloid, and repurposed for Georges Méliès-style fantasy and sublimity.”

— Steve Smith , The New York Times

“The word 'maverick' is overused in the contemporary music world. But in the case of composer Michael Harrison and cellist Maya Beiser, the descriptor is deserved.”

— Chloe Veltman , WQXR, Q2 Music Album of the Week

“…a wonderful soundscape… absolutely stunning. Harrison uses raga-inspired drones, minimalist rhythms and textures, and beautiful melodies to encompass us in a wonderful soundscape all inspired by ancient modes. The purity and beauty that is obtained from the cello in this piece is… absolutely stunning.”

— Sam Reising , I Care If You Listen, album review of Time Loops

“…the evening's longest and most appealing piece: Michael Harrison and Bill Morrison's Just Ancient Loops. Also touched by raga-style drones, modal and minimalist influences, Harrison's three-part suite gloriously demonstrated the alluring power of those mathematically and musically beautiful intervals. It was probably the most purely beautiful performance I've ever experienced at TBA.”

— Brett Campbell , TBA Diaries