From Ancient Worlds

1992 · New Albion Records

"From Ancient Worlds" is an allegory for a journey of the soul. "Song of the Rose," representing the soul, is the central theme of the work, and is presented in the style of a chorale (although it also appears in numerous variations, such as "Quest for the Rose", "Epiphany" and "Rose of Remembrance"). Various motifs, cadences and harmonic relationships from "Song of the Rose" are echoed in other parts of the work as well, depicting the soul's return in different guises as it travels through the imaginary landscapes of the various sections.

At the end of its journey, "Song of the Rose" returns in the elegiac "Rose of Remembrance", where phrases are juxtaposed with flashbacks of the major themes of the work. This is a metaphor for what is believed to be one of the first experiences of the afterlife: seeing life pass before your eyes in the presence of a Being of Light. "Rose of Remembrance" reaches for a glimpse behind the veil of our reality as it explores the experience of passage into the other world. What once existed is never completely finished, and as the soul lives on, so the final note of "From Ancient Worlds" is left unresolved.

Voted the No. 2 Best Recording of the Year on WNYC-FM's New Sounds Listener's Poll.

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“…the kind of finely shaded spectrum we might achieve in the third millennium.”

— Kyle Gann , The Village Voice, review of From Ancient Worlds
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“The best of both worlds: the delectable just-tuned piano sound with the ability of harmonic motion found in traditional classical works.”

— Bob Reina , Stereophile, RECORDS 2 DIE 4

“The tuning system and modified strings transform the piano's sound, creating a strangely 'Eastern' timbre, with sustained overtones.”

— Jon Andrews , Downbeat, album review of From Ancient Worlds

“If the walls of an ancient European cathedral of Middle Eastern monastery could sing, this is what you'd hear.”

— C.W. Vrtacek , The Advocate, album review of From Ancient Worlds

“Harrison gives the piano a versatility of sound never heard before, ranging from harp to guitar to sitar.”

— Annie Bergen , WQXR, New York

“Harrison has perfected a way of playing in just intonation at the piano… such celestial resonance that it captures your attention from the first note.”

— Linda Kohanov , CD Review, contributing editor